Bach’s melodies — to me the most beautiful melodies in music — emerge from a tightly constructed foundation. Some people find them cold because of their perfection. But all fine works of music, dance, painting and literature are born not from vague inspiration but — as I see it in my mind’s eye — from a design as clean and spare as a house frame of New Hampshire birch. Children’s picture books are a short literary form like the sonnet. The soundness of their structure is therefore crucial — more important than in longer and more leisurely forms of writing.
Children’s author Rosemary Wells
The Well-Tempered Children’s Book
Essay published in Worlds of Childhood: The Art and Craft of Writing for Children
edited by William Zinsser
It is as true today as it ever was. He who seeks beauty shall find it.
Photographer Bill Cunningham
Thought-provoking article by David Denby in The New Yorker that tracks how movie censorship in the 1930s led to more creativity on the part of writers and directors:
The “morals” embedded in the [Hays] Code were foolish and hypocritical, yet these semi-inane standards had an extraordinary effect. Producers, directors, and writers were forced to create sex without sex, to produce sexual tension by working around the prohibitions, extending every manner of preliminary to sex. In effect, censorship created plot, and in the process yielded one of the greatest of American film genres: thirties romantic comedy, including the dizzier versions celebrated as screwball comedy. Sex became play—even, at best, a springlike flourishing of fantasy and grace, expressed, most romantically, in the movies of Fred Astaire and Ginger Rogers, in which sex became dance and was transmuted into endless variations on the themes of seduction, submission, revolt, and happiness.
If sexual frankness disappeared, tawdriness went with it, and the old fables of domination were replaced by a new creation: the couple, two people matched in beauty and talent who enjoy each other’s company more than anything else in the world.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic.
Writing Prompt: Each boy goes home after school. Each boy gets asked, “What in the world happened?” What story does each one tell?
Writing Prompt: Everyone in the neighborhood has heard the bad news: monsters from outer space are on their way to take over the Earth. Some people are more excited about taking on the aliens than others. But they all know they must be ready…what happens next?
Chicago artist Theaster Gates Jr. bought a derelict bank in Chicago for $1 and turned it into an arts center within three years.Here’s more:
Under the new moniker Stony Island Arts Bank, the building is now home to art installations, artists, scholars, and archives on art history, architecture, and black culture. It also houses the Rebuild Foundation, a non-profit organization founded by Gates to invest culture in underdeveloped neighborhoods.
A true (and inspiring) story that could generate all kinds of ideas for fictional stories and/or travel itineraries…
Why we so hunger for authenticity these days. Danny Gregory’s post is spot on.
Source: True dat.
Looking for a cool job for your protagonist — something that stands out among all the detectives, spies, magazine editors and (if you’re a fan of cozy retro mysteries) curates?
Try this on for size:
Dr. Sarah H. Parcak, described by the New York Times as a pioneering “satellite archaeologist,” just won a million-dollar prize from TED for a project of her choice.
Satellites can now be used to armies of looters, which is fascinating enough, you’d think. But this story also covers terrorism, ancient artifacts and ebay.
Don’t everybody go to your laptops at once…